Produced in 450-seat proscenium theatre

Choreographed fights, real rubble on stage, and prop weaponry called for increased safety protocols

Began with a cast of 25, grew to cast of 27 with understudies

• More than half the cast became ill or injured, including the flu, mono, tendonitis, and a car accident​

• I was able to be a supportive force for the cast and the director while coordinating absences

Ensemble-based cast required multiple rehearsals at once

• In turn, I was able to empower my ASMs to take ownership of the production​